Mixing Instruments & Synths – Lead Synth – EQ Boostĭepending on the style of the song, lead synths can sound great with some reverb. This way you keep the high-end aspect of the lead synth, while saving enough space for the hi hats and crashes to come through cleanly. Set a low-pass filter at around 12kHz to define its high frequencies. For lead synths this is often somewhere between 300Hz and 600Hz. Nevertheless, stay consistent and always clean up the mix by setting a high-pass filter right before the key frequency. Therefore, they rarely have low frequencies. Lead synths often play their part above chords played by saw synths, keys, or other synths/instruments. This could be possible in emptier mixes, where the lead would not be in danger of being masked by other elements. In some occasions you can also experiment with stereo placement of lead synths. They may vary greatly from one to another, but are most often used to play the lead melody of the song.Īs they are usually a focal point in the track, lead synths sound great when placed in the center of the mixing space. Lead synths are very important in a track.
#Soundmixer playall how to
I will now explain how to mix a variety of these different synth types and how you can treat them best to improve your song. Each of these has a different wave shape and frequency content (which may also change depending on the note played).Įach synth will need to be mixed differently according to its sound. You’ve probably heard of lead synths, saw synths, plucks, atmospheric synths, and a dozen others. There are many different types of synths. I explain step by step how we place these different elements in the mixing space, go over our compressor settings, and give equalising tips to achieve a clean and crisp mix. In this article I cover the exact workflow we use at Heroic Audio for mixing instruments and synths. We covered how to mix bass sounds, claps, percussions, toms, crashes and hi hats. The fourth episode covers how to mix drums and how to mix bass. Also, we covered how to use the essential plugins to mix kicks and snares, the backbone of a song. The third episode covers how to improve your stereo image and make your mix sound wider. The second episode covers organizing your mixer, setting up your signal flow, and understanding the essential plugins (EQ, compressor, reverb, and delay). We discussed monitoring, DAWs and plugins, composition, and stem preparing. The first episodecovers setting yourself up to become a great engineer. Covering the necessary preparations, tools, underlying physics and insider tips and tricks to achieve the perfect mix and master. I share our years of experience and insight on music production, mixing and mastering.
#Soundmixer playall series
How To Mix Music is our essential guide to becoming a music mixing professional. With this series I help explain and teach music mixing to you – musicians, producers, and aspiring mixing engineers. Fortunately, over the years we have created universal guidelines that help us time and time again to create beautiful mixes and make all instruments and synths find their place nicely in the mix – and I’m going to share these guidelines with you in this article. There are so many different types of sounds, and they all need to be treated differently. That’s how this was for me at least, when I started out 5 years ago. I understand that big mixing projects can get quite overwhelming, especially when you are not completely sure how to treat each sound, and having to choose from all your plugins. In this episode I explain to you step by step how we go about mixing instruments and mixing synths.
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